How Many Times Has Ghana Won The World Cup Cultural Heritage of Ghana – CAN 2008

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Cultural Heritage of Ghana – CAN 2008

Do you know that a nation without culture is like a man without a soul? And a soulless man as good as a stillborn baby? And a stillborn baby is that entity that could not take its first breath of life at birth? That first breath of life is the soul that is part of the Almighty Creator Himself, without which no human being can survive?

Perhaps the Holy Bible will help to better illustrate the point I am trying to make here. Just open the Bible, (King James Version) and see Genesis Chapter 2: 7. It reads: “And Jehovah God formed man of the dust of the ground, and breathed into his nostrils the breath of life and man became a living soul.”

On Sunday, 20th January, 2008, the 26th MTN Africa Cup of Nations, dubbed Ghana 2008 kicked off in the capital city of Accra. The tournament would run in four cities, namely Accra, Kumasi, Sekondi and Tamale until 10th February, 2008. The intention of this piece is to attempt to review the Grand Opening Ceremony of the event, where Ghanaian culture was planted as a flourishing rose. a flower in the center of the earth for mankind to see, enjoy and cherish. It was great and “wonderful” as the French would say. Correspondingly, that cultural pageant that signaled the event was the life breath that fused into the veins of games as the living soul to make Ghana CAN 2008 a living tournament.

First of all, Ghana and for that matter Africa must be proud that there are citizens of the continent whose creativity is beyond imagination. To the person or group of people who sat, or stood up or who moved and through attunement and meditation, received inspiration from the Supreme Creator and were able to transform their visualization to realize what was exhibited in the new-look Ohene Djan. A stadium for over 4 billion people worldwide, deserves credit. Indeed, one would have wished that at the end of the show, at least, the directors and coordinators of the entire episode should have come to the center of the stadium to receive thunderous and endless applause and applause. They did fantastically well! Bravo to all the performers and their directors.

I do not know them as such. But I learned that some of the cultural gurus in whose fertile wombs the baby was nurtured and born include Prof. F.Nii Yartey, Prof. Anku, Prof. Martin Owusu, Prof. Kofi Ansah and many, many others. May Jesus bless them all. Let them know that their reward is guaranteed in heaven! But those of them who want their salary immediately may have to kick the bucket anyway. I allow myself to give the title of Professor to everyone who took part in that historic opening ceremony. And if anyone dares to submit me before any legal court in the land, because of a professed saga, I will beg soberly for mercy, mercy and mercy. Period! I don’t want any palaver!

For the benefit of non-Ghanaians, who enjoyed the beauty of the cultural pageant but may not have understood the true import of the drama, here is the gist of what transpired that day. In the first place, it is important to know that there are ten administrative regions in Ghana. And each region has a unique and magnificent cultural heritage of music, dances, songs, festivals, cooking, drumming and artefacts. There is no cultural or religious discrimination in Ghana. Therefore, anytime there is an event of a national dimension, Traditional Priests, Christian Priests and Muslim Priests are all invited to pray to God for the success of the event. Whether they call God, or Mawu or Nyankupong or Allah, He or She is the same Supreme Creator of all.

So, also, whenever a national event is held in the country and a cultural performance is organised, dances and songs from all ten regions of the country are staged. For example, when the National Orientation Sensitization Program was organized by the Ministry of Information and National Orientation where the Five Pillars were officially launched in August last year at the Accra International Conference Centre, small children from all ten regions of the country performed cultural dances from their respective regions. This is what has made Ghana a unique country of cultural diversity in unity.

Thus, the huge cultural pageant performed at the Ghana CAN 2008 opening ceremony was a great representation of Ghanaian culture from all ten regions as well as a symbolic representation of the 16 African countries that participated in a memorable tournament in the country.

Firstly, the helicopter that flew the Ghanaian National Flag across the stadium symbolizes that we are all Ghanaians first before any other ethnic consideration. The colorful fireworks represent the modern form of our traditional gun salute when a great national event is about to start. The three grand girls are covered in precious kente, who sang the National Anthem depicting the trinity of the Father, the Son and the Holy Spirit whose presence must be acknowledged before any national event.

The over a hundred traditional horn blowers who carried the glittering elephant tusks decorated colorfully, were the highest point of creativity of the beginners who conceptualized the ceremony. Until now this writer is wondering where they got all those huge elephant tusks. Unless they were improvised artificial plastic ones, I would imagine that there would be no more elephants in the Bole National Park in Bole in the Northern region or in any other forest reserve in Ghana. The wonder is the creativity that went into creating that traditional musical instrument used by traditional horn players in Ghana. The symbol is what can be found at the Kwame Nkrumah Memorial Park in Accra.

The cultural significance of traditional horn blowing is; in the palaces of chiefs or kings in Ghana, it heralds the beginning of an event of great importance. Horns are used to announce the start of an event. Like the talking drums, horns are a traditional communication tool to send messages across people in towns and villages. Therefore, the hundred horn blowers at the opening ceremony symbolically announced to Africa and the rest of the world that the 26th edition of the prestigious African Cup of Nations is about to start in Ghana, so the whole world must be alert and ready. to welcome the event. And the horn blowers appeared from around the stadium symbolizing the four cardinal points of the earth, namely, East, West, South and North. And by providence, Ghana itself is located in the center of the earth. Once again, symbolically, Ghana through the opening ceremony radiated Light, Life and Love to every corner of the world.

Another stunning aspect of the opening ceremony was the acrobatic display by the Ghanaian youth. Besides various magical formations was the African Map with and Madagascar created by humans with human bodies. The design was amazing when viewed on the TV screen. As for the different national dances performed, the less said the better. We saw dances ranging from Adowa, Atsiagbekor, Dambai , Kente, Borborbor, Kpanlogo to mention just a few. They were performed with artistic finesse with wonderful colorful costumes to parade. It was simply fantastic!

The last cultural aspect of the opening ceremony that cannot be avoided in this review was the parade of the national flags of the various countries that took part in the tournament. Many people did not notice this aspect of the ceremony. I remember when I pointed out the flags to spectators around where I was sitting near the Scoreboard in the stadium, they were amazed. Once again the creativity that went into creating those flags was beyond compare.

The national flags of the participating teams, including Ghana, Angola, Benin, Cote d’Ivoire, Cameroon, Egypt, Guinea, Mali, Morocco Namibia, Nigeria, Tunisia, South Africa, Senegal, Sudan and Zambia were transformed into colorful umbrellas, held with respect to the procession as is done in the solemn procession for a grand durbar of kings and Queen mothers in Ghana. The scene was touching indeed!.

If for nothing, Ghana has used its rich culture through the opening ceremony of the 26th Ghana CAN 2008 to project the beauty of African culture to the blue haven. I suggest that the Local Organizing Committee should adopt and adapt the opening ceremony on DVD and CD in any modern Information and Communication Technologies (ICT) as an African Cultural Heritage for the cultural development of mankind to the glory of the CREATOR.

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